!#OAUYHUSFYHJKHBcJKHcvb lISU gh ilazufliUS LISUYF fsudkyfIKUSYFGT sfrgsg

https://epn.osu.edu/notices/watch%EF%BD%9E-furiosa-mad-max-saga-2024-fullmovie-free-english

Upon further reflection, I suspect that my reaction (and possibly the audience’s) was due to our expectations, set by Fury Road. Any laughs in that film are sacrificed on the altar of the incredible, relentless action sequences that drive it. I walked into Furiosa ready for blood and chrome; I walked out with a new appreciation for Chris Hemsworth’s comedic skills. The actor hasn’t been this funny on screen since his hilarious take on the male bimbo (mimbo) trope in the 2016 reboot of Ghostbusters. This time, the comedy is subtler (which, if you’ve seen the performance, you’ll know why it feels odd to describe it as such), and, now that I know what I’m in for, I’m positive that I’ll enjoy Dementus more on a second go around. Bridging the gap between the comedy and the action is the ridiculous(ly awesome) motorcycle chariot that Dementus rides to lead his clan into action. The war lord has three bikes rigged together, turning the handlebars using reins attached to them. Motorcycle chariot races were apparently a thing in the 1920s and ‘30s. Miller has resurrected them for his postapocalyptic vision. The action set pieces within Furiosa are every bit as stunning as the ones found in Fury Road, but they feel disconnected to each other by comparison. In the earlier picture – and I realize that this was a bit of legerdemain on Miller’s part – each bit of asphalt action led seamlessly into the next, creating the sensation of one long, kinetic fever dream. This time out, each of Miller’s meticulously crafted set pieces feel much more like stand-alone works of art: The opening motorcycle chase; The trojan horse attack on Gastown; the spectacular assault on the Bullet Farm. Each one held my attention and I was enthralled any time the motors came roaring to life, but they don’t cohere as satisfyingly as the ones in Fury Road.

Upon further reflection, I suspect that my reaction (and possibly the audience’s) was due to our expectations, set by Fury Road. Any laughs in that film are sacrificed on the altar of the incredible, relentless action sequences that drive it. I walked into Furiosa ready for blood and chrome; I walked out with a new appreciation for Chris Hemsworth’s comedic skills. The actor hasn’t been this funny on screen since his hilarious take on the male bimbo (mimbo) trope in the 2016 reboot of Ghostbusters. This time, the comedy is subtler